Party Entertainment Vancouver BC Canada – Chang$ter Bboy$
Breakdance, Hip Hop, Acrobats, Freestyle Ball
Changster Bboys are Party Entertainment Vancouver, BC Canada. Most of all, the dance crew combines many talents. Because of our skills, it is an intense and exciting show. You can view our latest video below. Be sure to like, share and subscribe to our channel here!
Party Entertainment Vancouver – Best Dance Show!
In addition, the crew utilizes freestyle ball, acrobatics, martial arts, and banging music. Due to the exciting combination, the breakdance is next level. As a result, Changster Bboys are experienced in corporate parties and weddings. Consequently, the entertainers are veterans to Indian Weddings. The Bhangra Bboy Show fuses east and west into an uplifting DJ Mix. Changster DJ brings the beats and the crew busts the moves!
Super Saiyan Sriracha Power Rangers Bboy Pose #AsianDontRaisin
Party Entertainment Vancouver!
Changster Bboys are the go to crew for a show at your party because they got the juice.
They are professional for film due to the talents.
Changster Bboys performed at an Indian Wedding. It was held at Crystal Hall in Surrey BC Canada. In addition, the dance crew performed breakdance & freestye soccer. Changster DJ made the mix of music for the show. The Vancouver Breakdancers are some of the best entertainers in Canada hence the results. Consequently, they are a popular booking for parties and shows.
As a result of the energetic mix, dance, and freestyle ball, the show was a success. Changster Bboys performed with talent due to regular training. The show was captured below consequently for your viewing pleasure. Changster Bboys are available for your parties. Hence, you can reserve now at 604-862-7179 & via email at vancouverbreakdancers at gmail dot com.
Canadian hip hop has a long history and connection to the underground movement of hip hop with many passionate artists in the various elements of hip hop (breaking, deejaying, emceeing, graffiti, beat making, beat boxing, fashion, etc). Beginning in the 1980’s, having been influenced by the Bronx art form, Canadians started putting their own expressions of the culture of hip hop. With the exception of 1989 to 1991, and the early 2000’s on, it remained a largely unknown style of the culture. Nowadays, Canadian hip hop enjoys successful artists in various elements of hip hop.
The first credited hip hop song created was Singin’ Fools with the song “Bum Rap”. It was released in 1982. Toronto had early support with the station CKLN-FM with the launch of the show “The Fantastic Voyage” in 1983. There wasn’t much success getting support on a large scale and was hence forth shafted and 86’d. There was not a great infrastructure for it.
Deejaying did get support and with some elbow grease, some DJs got work playing in clubs around their cities, some competed, and some even grew a fan base and toured. Some notable names are DJ A-trak and DJ Dopey.
Breaking (bboying, breakdance) grew in popularity with notable films like Breakin’ and Beat Street. Breakdance crews from the US toured and since the 80’s to now, crews formed and participated in the art. Canadian Floormasters are one of the first crews to do it and since flourished with independent crews performing, battling, and teaching.
Graffiti has always been big, and my own city of Vancouver BC is always scrawled with incredible graffiti art. Good graffiti artists get hired to paint murals for customers, but they always go paint on their own. There is an industry for it and one of the notable graffiti crews is Stompdown Killaz.
Canadian hip hop music artists continued to mainly gain underground and cult followings with little to no mainstream success. Groups such as Maestro Fresh Wes, Dream Warriors, Main Source gained the most prominence however still remained underground acts. Canadian hip hop thrived on an indie spirit. From 1992 to 1998, it never hit the mainstream. However, a chain of events took place that gave it recognition, and it was the Northern Touch collaboration of cross Canadian hip hop musicians and rappers in 1998. The Rascalz, a Vancouver group, shunned the Juno Awards, which brought hip hop from Canada attention on a mainstream level.
Having a propensity to creating quality hip hop music, ALLMUSIC noted Canada is hip hop’s best kept secret. Since then, Canada has hit the mainstream internationally, with crossover hip pop artists like K’naan, Drake, The Weeknd and hip hop with a reggae influenced Kardinal Offishal. Still with that mass appeal, any Canadian artists still thrive in the underground and indie status, gaining recognition worldwide.
1980’s to early 1990’s Notable artists
Maestro Fresh Wes
Michie Mee
Devon
Get Loose Crew
Main Source (K Cut & Sir Scratch)
MCJ & Cool G
Kish
Mid 1990’s Notable Artists
Rascalz
Ghetto Concept
Maestro
Saukrates
Citizen Kane
Redlife
Classified
K-os
Dubmatique
Muzion
Notable is that the french hip hop scene in Canada had better support than their English speaking counterpart artists, with artists like Dubmatique selling 300,000 copies of their album.
1998 Onward
Rascalz, Choclair, Thrust, Kardinal Offishal, Jellestone, Saukrates, Baby Blue Soundcrew, Drake, Classified, K-os, K’naan, Swollen Members, Sweatshop Union, Buck 65, Belly, Moka Only, Shad, Kyprios, Cadence Weapon, Snak The Ripper, Stompdown Killaz, KOTD, DJ A Trak
Most notable are Kardinal Offishal, Drake, K’naan being the artists with chart topping international mass appeal!
Notable Beat Boxer
KRNFX
French Hip Hop is also a scene of it’s own in Canada, followed by a very supportive Aboriginal hip hop scene, filled with many artists of that culture.
Hip Hop has had a positive influence on the First Nations of Canada, whom use it as a form of expression and empowerment.
The famous Batman universe series of comics, had some controversy, due to issues that some had taken offense to the variant cover for Batgirl #41.
According to those taking offense at the variant cover, shown above, it was claimed that it was subjugating rape culture or gender violence, or some other new age feminist protest variant phrases.
I do not really agree with the sentiment of those offended and feel it is a reach but I do feel cover is creepy and should be more for grown folks into comic books.
I honestly feel that it is a great cover, and looks fantastic, such a wonderful piece of art, and such a waste.
It truly captures the darkness of the Gotham criminal and insane, the appeal of the Joker, and the scariness of being in dangerous elements when fighting crime (being a hero is not easy).
Joker may well be violent, sociopathic, and murderous, but he is not a rapist, and the cover simply captures an intense moment of crime fighting for Batgirl.
In neighborhood phrases, I think it sucks, and is a bloodclat waste, especially for a great cover like this, but I digress.
The Batgirl #41 is an awesome cover and worthy piece of art.
On another note, just because someone does not agree with the Batgirl #41 variant cover, it’s no reason to go off on them like that, as I heard there may have been threats towards those disagreed.
However, if it is an exaggeration, much like how I feel regarding their claims of the Batgirl #41 variant cover original, then obviously it should be taken with a grain of salt.
Here are some other covers from the artist Rafael Albuquerque for the DC universe…
After 9 years, 36 seasons, Tony Starks returns to his hood of Staten Island aka Shaolin…
When it comes to hip hop, Ghostface Killah, is one of the top artists and is regularly critically acclaimed, with many of the best albums on the planet earth.
Known for very creative lyrics, inventive, intelligent, and witty, Ghost drops science over many melodies and beats.
He recently dropped the album 36 Seasons, which features the full songs and instrumentals to his songs on the album.
The booklet features awesome artwork, comic style, amazing graphics and painting.
The album’s music captures that 70’s blaxploitation, Chow Yun Fat shoot’em up, Kung Fu Flick Theatre melody, over banging hip hop drums, and ghetto lyrics. Ghostface spins many different tales and rhymes, from partaking as a hero like Iron Monkey saving the streets from ghetto decay, to tell tale stories of the streets.
It’s a fantastic album and just in time for Christmas, my favorite album thus far this year.
For ultimate listening pleasure cop it on vinyl if you can, for the best audio listening, as it crackles over the needle and turntables. The music is available at the Jump.
1) The Battlefield featuring KGR & Tre Williams
2) Love Don’t Live Here No More featuring Kandace Springs
3) Here I Go Again featuring AZ & Rell
4) Loyalty featuring KGR & Nems
5) It’s A Thin Line Between Love & Hate featuring The Revelations
6) The Dogs Of War featuring KGR and Shawn Wigs
7) Emergency Procedure featuring Pharaoh Monche
8) Double Cross featuring AZ
9) Bamboo’s Lament featuring Kandace Springs
10) Pieces Of The Puzzle featuring AZ
11) Homicide featuring Nems & Shawn Wigs
12) Blood In The Streets featuring AZ
13) Call My Name
14) I Love You For All Seasons featuring The Revelations
